Elmar oliveira biography of william shakespeare
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THIS TIME, ON COLORES... NEW MEXICAN EUGENE NEWMANN SHARES HIS VISON OF WHAT IS BEYOND THE NARRATIVE OF A PAINTING WITHOUT DISMISSING THE FAMILIAR. The first hit at a subject was great as a kind of spontaneous thing, as an expression of ... exuberance. AS PART OF SHAKESPEAR UNCOVERED WE SEE HAMLET MEET HIS FATHERS GHOST. Elizabethan society would not have been surprised to see ACCOMPLISHED VIOLINIST, ELMAR OLIVEIRA, INSISTS THAT PLAYING CHAMBER MUSIC WILL HELP A PERFORMER UNDERSTAND ... To immerse oneself in the music, understand not just what it is to play the violin but understand what the composer is doing, understand what's INCLUDING ONE OF REMBRANDT'S LAST SELF PORTRAITS, WE LEARN
ABOUT THE ART COLLECTION OF EDWARD CECIL GUINESS. So I think it's a way of showing you some of the major schools in European art, but also the greatest examples within IT'S ALL AHEAD ON COLORES! EUGENE NEWMAN , SEEKS TO FIND WHAT IT IS THAT REALLY >>EUGENE NEWMAN: One of the problems for contemporary painting is that it leaves the people behind in some way, because they don't know where to get a hold of it. You know, what is going on here? There has been and effort to if there is some kind of new language. The old language is gone. The question is: is there some sort of modern vocabul
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Historians believe that today marks the 450th birthday of William Shakespeare. Throughout history, Shakespeare’s plays have been a rich source of inspiration for composers. A few months ago we heard Tchaikovsky’s Romeo and Juliet tone poem. Now let’s celebrate with some more music inspired by the Bard of Avon:
Play, music! And you, brides and bridegrooms all,
With measure heap’d in joy, to the measures fall.-As You Like It
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Mark the music.-The Merchant of Venice
A Midsummer Night’s Dream
Felix Mendelssohn was 17 years old when he wrote the famous A Midsummer Night’s Dream concert overture in 1826. Sixteen years later, he composed incidental music for the play, which included the Scherzo, Nocturne and Wedding March.
Mendelssohn’s overture captures vividly the atmosphere of the play. We hear the magic of the forest and the scurrying fairies who interfere hilariously in the lives of the other characters. Listen for all the subtle tricks and surprises in the fairy music, such as un