Quotes about satyajit ray biography in english
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Satyajit Ray
Indian filmmaker and writer (–)
Satyajit Ray (Bengali:[ˈʃotːodʒitˈrae̯]ⓘ; 2 May – 23 April ) was an Indian film director, screenwriter, author, lyricist, magazine editor, illustrator, calligrapher, and composer. Ray is widely considered one of the greatest and most influential film directors in the history of cinema.[7][8][9][10][11] He is celebrated for works including The Apu Trilogy (–),[12]The Music Room (), The Big City (), Charulata (), and the Goopy–Bagha trilogy (–).[a]
Ray was born in Calcutta to author Sukumar Ray and Suprabha Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves () during a visit to London.
Ray directed 36 films, including feature films, documentaries, and shorts. Ray's first film, Pather Panchali (), won eleven international prizes, including the inaugural Best Human Document award at the Cannes Film Festival. This film, along with Aparajito () and Apur Sansar (The World of Apu) (), form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing for the movie and designed hi
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Satyajit Ray > Quotes
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"What have things come to when an old woman has to patch her own shawl?"
Auntie Indir
Indir says this to herself after she has to fix her own garments. This statement shows that she feels neglected by her family and feels the weight of poverty. It is all the more tragic that an elderly woman, who is even more helpless than the other members of her family, has to mend her own clothing.
"Is she asleep?"
Apu
Apu asks the neighbor who's come to check on Durga this question after he sees his sister lying motionless after the storm. It is the innocence of the statement that is most heartbreaking, as he cannot tell that his sister is dead, thinking she is just sleeping.
"I had dreams, too, of all the things I would do."
Sarbajaya
Sarbajaya says this to her husband, as the weight of her day to day work is taking its toll on her. He isn't bringing in very much money and she is still expected to manage the household. Harihar has work that he wants to accomplish and Sarbajaya tells him that she has things that she wanted to do with her life as well. It is the first time that Sarbajaya references her own desires, as most of the film she is either scolding someone for not helping enough, or fretting about what must be done next. This is an uncharacteristic moment of Sarbajaya being