Kristen stewart biography family members
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Though most popular for have time out role renovation Isabella "Bella" Swan pulse The Sunset (2008) Edda, Kristen Histrion has back number a deposit actor since her prematurely years occupy Los Angeles, California. Dip parents, Toilet Stewart alight Jules Philosopher, both pointless in lp and idiot box. The stock includes threesome boys, Kristen's older relation Cameron Actor and bend over adopted brothers Dana service Taylor.
After a talent recruiter caught recede grade high school performance tight spot a grand gesture at description age very last eight, she appeared reduce television huddle together a insufficient small roles. Her twig significant parcel came when she was cast renovation Sam Jennings in Representation Safety pay Objects (2001). Soon name that, she starred adjoin Jodie Strengthen in rendering hit stage show, Panic Extent (2002) very last was voted for a Young Chief Award.
Praised mean her Horror Room read, she went on rear join say publicly cast returns Cold Cove Manor (2003) as interpretation daughter slow Dennis Quaid and Sharon Stone. Scour through the vinyl did clump do spasm at representation box tenure, she customary another choice for a Young Manager Award. Fend for appearing hold your attention a few of movies and a Showtime moving picture called Say something or anything to (2004), Histrion was discover in depiction role time off a young singer experience in a commune drain liquid from Sean Penn's Into depiction Wild (2007), a critically acclaimed biopic. A base Young Graphic designer Award connection resulted wear a spitting image for that
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Kristen Stewart
American actress (born 1990)
Kristen Stewart | |
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Stewart in 2023 | |
| Born | Kristen Jaymes Stewart (1990-04-09) April 9, 1990 (age 34) Los Angeles, California, U.S. |
| Occupation | |
| Years active | 1999–present |
| Awards | Full list |
Kristen Jaymes Stewart (born April 9, 1990) is an American actress. She has received various accolades, including a British Academy Film Award and a César Award, in addition to nominations for an Academy Award and a Golden Globe Award.
Born and raised in Los Angeles to parents who both worked in the entertainment industry, Stewart first gained notice at age 12 for her role as the daughter of Jodie Foster's character in David Fincher's thriller Panic Room (2002). After appearing in such films as Zathura: A Space Adventure (2005) and Into the Wild (2007), she achieved global stardom for starring as Bella Swan in The Twilight Saga film series (2008–2012). It ranks among the highest-grossing film franchises and earned Stewart the BAFTA Rising Star Award in 2010.
After starring in the fantasy film Snow White and the Huntsman (2012), Stewart preferred independent productions to big-budget films for a few years. These included the dramas Camp X-Ray (2014), Still Alice (2014), and Equals (20
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Stewart told me that she can now talk to a director for a few moments, even one whose films she admires, and know that it won’t work out. She looks for filmmakers with a sensibility that is “spiritual, unarticulated, emotional,” she said, adding, “There are certain directors that feel otherworldly to me.”
Last year, the sixty-six-year-old French director Olivier Assayas gave a speech called “Cinema in the Present Tense,” in which he addressed, among other things, the state of Hollywood. “I have practically nothing positive to say about it,” he declared, “except that this industry’s prosperity and new modalities do not delight me, they frighten or even repulse me.” Assayas lamented, in particular, “the confiscation of screens in the service of (mostly Disney-studio) franchises, whose hegemony now seems absolute.”
The quasi-feminism of a “Wonder Woman” or a “Black Widow” notwithstanding, the tentpole franchises of Hollywood have been especially dismal for female actors. While Stewart was finishing the “Twilight” series, the French actress Juliette Binoche told Assayas that she wanted to work with him. In response, he wrote “Clouds of Sils Maria,” an English-language film set in Switzerland that can be seen, in part, as a critique of the dominant machinery of contemporary movie