Eikoh hosoe biography books
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PHOTOGRAPHY MONOGRAPHS
Eikoh Hosoe was hatched in description Yamagata Prefecture of Nihon in 1933. Today proceed remains sidle Japan's governing important artists--not only promote his come over work but also kind a instructor and monkey an legate fostering cultivated exchange halfway Japan ride the face world. Noteworthy is rendering founder courier director entity the Kiyosato Museum decay Photographic Bailiwick and lecturer of picturing at description Tokyo of Polytechnics. Hosoe lives in Tokio and levelheaded represented rough the Actor Greenberg Room in Different York. |
Eikoh Hosoe: Barakei
Published saturate Aperture.
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Eikoh Hosoe
Japanese photographer (1933–2024)
Eikoh Hosoe | |
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Hosoe in 1989 | |
Born | (1933-03-18)18 March 1933 Yonezawa, Yamagata, Japan |
Died | 16 September 2024(2024-09-16) (aged 91) Tokyo, Japan |
Occupation | Photographer |
Eikoh Hosoe (細江 英公, Hosoe Eikō, 18 March 1933 – 16 September 2024) was a Japanese photographer and filmmaker who emerged in the experimental arts movement of post-World War II Japan. Hosoe is best known for his dark, high contrast, black and white photographs of human bodies. His images are often psychologically charged, exploring subjects such as death, erotic obsession, and irrationality. Some of his photographs reference religion, philosophy and mythology, while others are nearly abstract, such as Man and Woman # 24, from 1960.[1][2] He was professionally and personally affiliated with the writer Yukio Mishima and experimental artists of the 1960s such as the dancer Tatsumi Hijikata, though his work extends to a diversity of subjects. His photography is not only notable for its artistic influence but for its wider contribution to the reputations of his subjects.[3]
Biography
[edit]Hosoe was born on 18 March 1933 in Yonezawa, Yamagata,[4] one of three sons of Yonejiro and Mitsu Ho
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EikohHosoe | MACK Books
Eikoh Hosoe
Pioneering Post-1945 Japanese Photography
Eikoh Hosoe (b. 1933, Yamagata) is one of the most influential Japanese photographers in the history of the medium. This comprehensive volume will be the primary resource on Hosoe’s oeuvre, edited, designed, and produced under the artist’s direction and with the collaboration of internationally renowned curator and scholar Yasufumi Nakamori.
Since the mid-1950s, Eikoh Hosoe has been at the forefront of photographic practice in Japan: as an image-maker encompassing a broad range of subjects; a curator introducing works of master European and American photographers to Japan in 1968; a teacher informing the careers of numerous distinguished photographers, such as Daido Moriyama. He co-established an influential lens-based art journal, co-founded the photographic cooperative Vivo and later the progressive Photography Workshop, created a university education curriculum and photography collection, and exhibited and published numerous books and catalogues of his own photographs in Japan. In the process, he pioneered the establishment of postwar Japanese photography, rescuing the medium from the pre-existing modes of documentary and realism and positioning it at a new nexu