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    Michael Graves is a leading twentieth-century architect and designer whose drawings, buildings, and products are notable for their manipulation of archetypal forms into highly abstract, figurative compositions. He is especially interested in responding to the scenes and practices of everyday life with designs that can be universally understood while responding to the site, program, and context with a degree of sensitivity that has often eluded his peers.

    One particular event, "New York Eve," (along with Peter Eisenman, Charles Gwathmey, John Hejduk, and Richard Meier), gained recognition in his career at a relatively early age through a meeting of the Conference of Architects for the Study of the Environment (CASE) held at the Museum of Modern Art, New York, in 1969. The work exhibited by these five architects at this meeting led to the publication of a seminal book, "Five Architects" (1972). Immortalized as the progeny of "The White Gods" (Le Corbusier, Walter Gropius, Ludwig Mies van der Rohe) in Tom Wolfe's "From Bauhaus to Our House" (1981), these five were linked by a common interest in both reviving and reinterpreting the forms, typically painted white, of the modernist architects Le Corbusier and Giuseppe Terragni. This deliberate focus on form constit

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    Jeff Shelton

    I grew up at the base of the Santa Ynez mountains in Santa Barbara, in what had been an early 1900’s boarding school. My family lived in a Library, an Infirmary and in classrooms. I didn’t live in a building designed to be a house until college.

    In the hills above our paradise of old school buildings was the Mountain Drive community, where residents were building homes out of adobe, used lumber, wine bottles and ferro cement. One of the founding residents was Architect and Philosopher Frank Robinson, who became my mentor. When I graduated from Architecture School at the University of Arizona in Tucson, I worked for Frank, who taught me much of what I know about architecture.

    I worked in downtown Los Angeles for ten years, which gave me experience in how to approach projects, as well as the difficult situations that arise during the process of designing and constructing buildings. I spent a few years with Brenda Levin and Associates where I worked on the Bradbury Building, Grand Central Market, Traveltown in Griffith Park, and the DWP Pumping Station in Elysian Park.

    In 1994, I returned to Santa Barbara with my wife and two daughters, and opened up a temporary 100 square foot office on Victoria Street. I’d been there a week, and was still setting up my draftin

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